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Kerry Beyer

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Indie Filmmaking

March 20, 2012 by Kerry Beyer

UPDATE 3/20/12

Still in production on a feature film… this is my first day off in 2 weeks. I appreciate your patience. A few more days of shooting and I’m back to my regular schedule.

Filming is going great, and we’ve covered an amazing amount of the script. John Lansch has put in an outstanding performance and was pictured wrapped last night.

Through the magic of FX makeup, John was aged 15 years for this production, undergoing 2 hours of daily makeup, plus camera test to make sure the makeup matched day to day. All in all it was a 3 hour process before he was camera ready. I’ll be posting some behind the scenes of the process soon! Big thanks to John for his participation in this film!

Filed Under: acting, Deep Terror, Indie Filmmaking, Kerry Beyer, old age makeup, special FX makeup

October 26, 2011 by Kerry Beyer

CROWD FUNDING: Is it EVIL?

Crowd Funding is stirring much controversy these days. Everyday on Facebook, I get a dozen requests for money. With the help of companies like Kickstarter, and Indiegogo, upcoming filmmakers are pan handling on the information super highway… and it’s pissing off a lot of people.

The technique has proved enormously successful for some… for others – not so much. Many campaigns do reach their funding goals, and as some have pointed out, how do you know your contribution is going to be spent the way it should? Your donation could just be funding the next outing at a strip club for the director.

Most of the complaints I hear stem from the fact the filmmakers are largely asking other filmmakers to contribute. I know when I get funding requests, my first thought is “sorry, but I’m trying to fund my own project.”

To be successful at crowd funding (or any kind of financing for your project), you must have certain elements in place.

1. Your story’s concept has to be AMAZING. Unique, but yet familiar, and compelling. You should be able to pitch your project in one or two sentences, and other screenwriters should turn green with envy when they hear it because they didn’t think of it first.

2. The concept MUST be MARKETABLE. “But, I’m an artist… I make art…” Bullshit – you are making a product. Treat it like one. Know your audience, what they want to see, and how you are going to reach them cost effectively.

3. Your script has to be great. Seriously. Just because your friends and family like it doesn’t mean its great.  If you can find someone who hates you, but likes your script – you might be on to something. Send your script to a consultant, reader, agent, experienced director or some unrelated person who can give you an objective opinion. When they give you notes, seriously evaluate their validity, and make changes. As they say, scripts aren’t written, they are re-written.

4. Your budget must be commensurate with your market, your skill level, and level of cast. Most people have an unrealistic idea of the value and market share of their content. The key to monetization is simple: make a film for less than what your total sales will be after expenses. Do your research.

5. Make a detailed business plan that takes you all the way from production through to retail store shelves. Have you factored in distribution costs, DVDs, advertising, legal? It’s likely to meet or exceed your production budget.

6. If you want to try crowd funding, go for it… but you will have more success begging for donations from people who are not filmmakers, but want their name attached to a movie for the experience. People like experiences, so make it a good one. Cater to their desires. Give them value besides ROI… because the cold hard truth is that most projects don’t recoup their investments.

Whether filmmaking is a hobby for you, or a profession… treat it like business. Take care of your cast, crew and investors, and your odds of continuing to make films will increase.

Leave your comments below!

Filed Under: crowd funding, film financing, film investing, funding your movie, Indie Filmmaking

October 14, 2011 by Kerry Beyer

FILM IS DEAD

The last of the film cameras from the major manufacturers have rolled off the production line. Panavision, Arri, and Aaton are digital only from here on out. I’m sure there are some pretty upset purists out there.

In 2001, I was shooting all film… I said I’d never give it up. Then I was a purist. There was something special about the film stocks, like Ilford XP2, Kodak’s Ti-X pan… Back then photography was like a sacred art, full of closely guarded secrets about how to achieve a certain look.

Photographers would never share trade secrets.

Then digital came along. In 2002, I borrowed a friends Nikon D1x while in Paris shooting models for the then powerhouse agency IMG. I had brought about a $1000 worth of film over… lets just say I still have those rolls in my freezer.

I’ve been all digital ever since, both for stills and movie making. Today’s cameras have and equal or greater resolution and exposure latitude. And the manipulation that can be done in post can mimic almost any film stock – if you know what you are doing.

Back in the day, I had to lobby magazines heavily to take digital submission – they were skeptical. Now, it’s all they want.

It is always sad to see the passing of such a once great technology, but this life is about embracing change,   and making the most of new opportunities. So many things are possible now that weren’t before. I would never have been able to make my feature film Spirit Camp the old fashioned way. And certainly would not be able to attempt a sci-fi epic like Code of Evil, or even my short Castle of the Damned.

Read more here http://www.salon.com/2011/10/13/r_i_p_the_movie_camera_1888_2011/

Thanks to Alan Cerny of Aintitcoolnews.com – I got the idea for this post from his facebook status.

Leave your comments below.  Will you miss film?

Filed Under: 35 mm, Aaton, Aint it Cool News, Alan Cerny, Arri, Castle of the Damned, Code of Evil, Digital Motion Pictures, Digital revolution, Film, Film is Dead, Ilford, Indie Filmmaking, Kodak, Panavision, Spirit Camp

October 10, 2011 by Kerry Beyer

Million Dollar Visual FX on a Indie Budget

Visual FX extravaganzas dominate the box office, but independent filmmakers can play in the same arena, at a fraction of the cost. A recent debate of Facebook stirred controversy over whether or not indie filmmakers should attempt to compete with Hollywood in genres like action and sci fi – The gist of the debate was that indie filmmakers shouldn’t attempt it…

Proper visual FX takes time and planning to integrate and composite correctly, but it’s not out of reach for the indie filmmaker. Almost anything is possible with After FX… but subtly is the key. FX should be transparent… and by that I mean, the audience should never go “oh, cool effect.” They should be completely immersed in the story, and not notice that it was an effect.
I recently shot and edited a short film over the course of one weekend. As co-founder of SplatterFest, I wanted to make a film to screen at the event, even though I couldn’t compete. The result is CASTLE OF THE DAMNED – a dark fairy tale where a lone Knight must battle and army of the damned to save the Princess from an Evil Queen.
The entire 4 minute short was shot on green screen, and composited over the weekend. The backgrounds were generated in a 3D modeling program, and exported as still frames.
One of the most important things to make your composites look real is to match lighting between your live action elements and your computer generated backgrounds. For this reason, I try to light and generate my backgrounds before I shoot live action elements, so I know where to place the lights.
Castle of the Damned is currently in consideration at Slamdance. Check out the IMDB page, and look for it on the festival circuit and online afterwards.

Filed Under: After FX, Castle of the Damned, Indie Filmmaking, Visual FX

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KERRY BEYER PHOTOGRAPHY

Photographer, Filmmaker, & Bestselling Author, Kerry Beyer has been published in VOGUE, LUCKY, ALLURE, The NEW YORK TIMES, VINTAGE GUITAR, FRETBOARD JOURNAL, TONE QUEST and more!

Kerry recently directed Academy Award® Nominee Eric Roberts in the action/thriller "Rogue Strike", is a semi-finalist in the Nicholl Fellowships in Screenwriting, and has starred on ABC, CBS, VH1, the WB and more...

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